My review of China Heavyweight
China Heavyweight, a documentary by Yung Chang
[Up The Yangtze], is a glimpse into the burgeoning popularity of
boxing, a sport that had been banned by Mao. While the extensive footage
of boxing training harkens a bit to other underdog stories like The
Boxer and other recognizable sports tropes, China Heavyweight is very
firmly grounded in its setting and provides an interesting look into an
unfamiliar social landscape.
Set at a boxing school in the Sichuan province, the film follows two
teenagers, Miao Yunfei and He Zongli. Their trainer is Qi Moxiang, a
former professional boxer who still harbors dreams of returning to the
ring despite being in his thirties. Without offering any extra
commentary, it takes us deeply into the world of Confucianism-informed
Asian culture through the eyes of the two teenagers and their
interaction with their parents. While boxing is portrayed as a way out
of their parents’ very hard life of being a tobacco farmer, we get the
sense that boxing is also something that is not done for personal glory
but for the greater community. The coaches frequently reference that
boxing is what elevates you from your “Mother’s son” to a “son of the
people.” Lofty ideals like bringing pride to your family and community,
brushing shoulders with the very Confucian values of humility and
honoring your elders.
“We have to be modest at all times,” repeats the father of one of the
boys while remarking that he had heard people say his son is a great
boxer. Yunfei Mao idolizes Mike Tyson and “the great ambience and the
grand entrance” of professional boxing, yet respects his parents enough
to give up his dream. China Heavyweight is also a poignant look into the
highs-and-lows of a very brutal sport and the paternal relationship
between the coaches and the boxers. “You must persevere because I
believe in you,” says Qi to his young charge, yet when the talented
boxer must leave training, he offers lifelong help to him, regardless of
the loss to the school.
China Heavyweight is also interesting in its portrayal of how boxing
fits within a very unfamiliar to the West social milieu. We are offered
brief glimpses into political leaders taking an interest in the
goings-on from the perspective of recruiting successful Olympics
athletes. Much more interestingly, however, the sport appears to have a
tremendous mass appeal despite its very Western origin. The film does
not really explore that aspect much, instead focusing on the fighters
themselves, but it would have certainly added much value. Another loss
is we do not learn much about the teenage girls that are also recruited
into these boxing schools and who undergo similar training. There was a
story there that remained untold.
Ultimately, a very universal, non-Western sentiment emerges from
China Heavyweight. Boxing is about “not being afraid of losing” and “the
more you fail, the more courageous you become.” The very
non-goal/non-individual-focused ethos makes this documentary a
refreshing departure from other pugilistic films and one definitely
worth seeing, especially with its sweeping, beautiful shots of the
mountain areas of China and subdued cinema-verite style. While the
pacing drags at times, there is enough to the premise and its setting to
make it a film worth checking out.
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